The essentials
Search for branding prices and you will find numbers between $500 and $200,000 on the first page of results, often in the same article. Both ends are true. They describe different work sold to different buyers, and the gap between them is not padding. It is scope.
This piece sets out what actually moves the number, what the market typically charges in 2026, and how to read a quote so you can tell an expensive project from an overpriced one. Every range below is a market estimate, hedged as typical, and none of them is a Brand Appart price list. More on why at the end.
The six things that set the price
Scope: identity only, or positioning plus identity plus web
The single biggest variable is how far upstream the work starts. A logo and a type system is a design deliverable. Positioning, naming territory, messaging architecture and an identity that expresses all of it is a strategy engagement that happens to produce design files.
Identity-only projects with an independent designer or small studio typically land somewhere between $5,000 and $20,000 in the US market, based on published rate cards from independent designers and small studios in 2026. Add strategy and research and the same studio will usually quote two to three times that. Add a marketing site and you are buying a second project: information architecture, copy, design, build. Bundling it into one line item makes the total look alarming, but it is two budgets wearing one coat.
If you only need the identity layer, say so explicitly in the brief. Scoping down is the cheapest lever you have, and it is the one founders reach for last.
Stage and stakes
A pre-seed team rebranding before a launch and a Series C company operating in four markets are not buying the same risk profile. The second one has live campaigns, partner co-branding, packaging in production, a design system with hundreds of components and legal exposure across jurisdictions. The work is not more creative. It is more careful, and careful is expensive.
Studios price partly on the cost of being wrong. When a rollout touches twelve surfaces and a sales team of forty, more of the fee sits in review cycles, documentation and coordination than in visual exploration. That is the honest reason a Series B quote looks nothing like a seed-stage one for outwardly similar deliverables.
Number of applications
A brand that exists as a logo, two colours and a font is cheap because almost nothing is designed. The cost arrives with applications: pitch deck template, website, product UI, app icon, social kit, email templates, packaging, event booth, merch, ad formats, documentation.
Most quotes we see in the market itemise this, and it is worth asking any studio to break it out. Ten applications is roughly double the production work of four, though not double the strategy. If a proposal gives you one number for "brand identity" with no application count attached, it is not yet a quote. It is an opening position.
Naming
Naming is a separate discipline with a separate price. Specialist naming firms in the US typically charge from around $15,000 for a focused engagement into six figures for a global corporate name with full linguistic screening, and generalist studios often quote naming as a distinct phase rather than folding it in.
The cost is not the creative. It is availability. Most good names are taken, so a naming project is mostly a funnel: generate hundreds, screen for trademark conflict, screen for domain and handle availability, screen for meaning in target languages, then present the handful that survive. Trademark filing fees sit on top of the creative fee, and the USPTO publishes its own fee schedule separately from any legal counsel you engage.
Research
Research is the line founders cut first and regret most often. Competitive audits, customer interviews, category landscape mapping and message testing typically add somewhere in the $5,000 to $25,000 range for a startup-scale project, based on published studio scopes.
The argument for paying it is simple. Without research, the identity is an aesthetic preference, and aesthetic preferences do not survive contact with a board. With it, the studio can defend every decision against evidence, which shortens the review cycle and reduces the number of rounds you are billed for. Research often pays for part of itself in rounds avoided.
Rollout and implementation
Design files are not a brand. Getting the new identity onto the product, the site, the deck templates, the contracts, the app stores, the LinkedIn page and every asset your team touches is a project of its own, and it is routinely underestimated by half.
For a company past Series A, implementation frequently costs as much as the identity work that preceded it. Budget for it up front or you will spend six months with an old brand and an expensive PDF. This is where a continuous arrangement beats a one-shot project, which is the argument behind an on-demand design subscription rather than a single delivery date.
Who does the work, and what it typically costs
The provider model changes the price more than the deliverable list does. These are market estimates for 2026, not fixed rates, and they move with geography and reputation.
| Provider type | Typical range (estimate) | What you get | Best for |
|---|---|---|---|
| Freelance designer | ~$2,000 to $15,000 per project, or ~$50 to $150 per hour | Execution of a defined brief, usually visual identity only | Pre-seed teams with a clear brief and someone internal to direct the work |
| Independent studio | ~$15,000 to $60,000 per project | Strategy plus identity plus a defined set of applications, senior people on the file | Funded startups that need the brand to hold up in front of investors and enterprise buyers |
| Network agency | ~$75,000 to $250,000 and up | Research, naming, identity, global rollout, account management layer | Later-stage companies with multi-market exposure and internal marketing teams |
| In-house hire | ~€320K for a first design year, all in (Brand Appart benchmark) | Permanent capacity, full context, no briefing overhead | Design-led products with continuous, high-volume needs |
| Design subscription | ~$3,000 to $10,000+ per month for a senior team | Ongoing access to a design team without a hiring commitment | Teams with steady, varied demand and no appetite for a 12-month payroll bet |
We have written the staffing comparison in more depth, including how throughput and quality differ between these models, in our breakdown of design subscription versus freelancer versus in-house.
The in-house figure deserves a note. It is not a salary. Senior product and brand designers command salaries well into six figures in major hubs, and the US Bureau of Labor Statistics tracks the underlying occupational wage data for the broader design field. On top of base salary sit employer contributions, equity, recruitment fees, tooling, onboarding time and the months before the hire is productive. Loaded properly, the first year is a different order of magnitude from the raw salary number, which is precisely why the comparison catches finance teams by surprise.
Rebranding cost: usually higher than you budgeted
Rebranding cost runs above greenfield branding cost for the same company size, for one reason. You are not only designing the new thing. You are inventorying and replacing the old one.
A greenfield identity has no legacy. A rebrand has a live website, a product with the old palette compiled into its design tokens, printed material, signage, packaging in a warehouse, sales collateral in fifty personal folders, partner co-branding agreements, app store listings and years of SEO equity attached to the old name if the name is changing.
As a working estimate, add 30 to 60 percent to a comparable greenfield quote to cover migration and decommissioning, and more if the name changes. Domain acquisition, trademark work, redirect strategy and customer communication all arrive with the name change and none of them appear on a design invoice.
The other half of the equation is timing. A rebrand executed for the wrong reason is expensive twice, because you will do it again in two years. We cover the legitimate triggers in our piece on knowing when to rebrand, and the short version is that a rebrand should follow a change in the business, not a change in taste.
Why serious studios quote instead of publishing a price list
Brand Appart publishes two benchmarks rather than rates, and the reasoning is on our pricing page. A number without your scope behind it is a guess, and you would spend the call arguing with the guess instead of telling us what you need. A Series A shipping one product and a Series C running four markets are not the same line item.
The two benchmarks we do publish are the ones most founders are actually choosing between. A €25K quote per project is what briefing an agency for a one-shot engagement typically looks like. Roughly €320K is what a first in-house design year costs you, all in. Everything on the market sits somewhere between those poles, and where a given arrangement lands depends on how much of a team you reserve and for how long.
Studios that do publish flat package prices are not being more honest. They are selling a fixed scope, which is a legitimate product, but it means the scope is the constant and your problem is the variable. That works when your problem is standard. It works badly when it is not, and funded startups are rarely standard by the time they have raised.
The practical implication for you as a buyer: judge a studio on the questions it asks before quoting. A proposal that arrives within an hour of first contact was not written for you. One that arrives after a scoping call, with applications itemised, rounds capped and rollout named as its own phase, is a document you can actually hold someone to.
Reading a quote before you sign it
Ask what happens on round three. Most quotes include two rounds of revision and price the third separately, and that is where budgets quietly break.
Ask who is on the file. Senior time and junior time cost different amounts, and a mid-range quote staffed entirely by juniors is more expensive than a higher quote staffed by principals, because you will pay for the rework.
Ask what you own at the end. Source files, fonts licensed in your name, full transfer of rights on the marks. Font licensing in particular has caught out plenty of teams who discovered their brand typeface was licensed to the studio for a single project.
Ask what the rollout costs. If the answer is vague, the number you have been given is not the number you will pay.
If you want a figure attached to your actual situation rather than a range attached to a market average, the fastest route is a scoping conversation. You can start a project with us, or read how we approach brand identity work before you do.
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